Interior photography, measured: light, verticals, styling and focal length
Clifton flat, first frame of the day, 24mm at f/11
Barbara Brown photographs interiors from Bristol for architects, furniture makers and
three letting agencies covering roughly 40 properties a year. This
journal records the part of the job that happens before the shutter opens: metering a
room at ISO 100, setting the sensor between 45 and 55 per cent of
ceiling height, squaring verticals to 0.2 degrees, and clearing 35 to
45 objects out of a living room.
A 24mm lens covers 73.7 degrees horizontally and needs 2.67m to frame a 4.0m wall, while a 35mm lens covers 54.4 degrees and needs 3.89m. The 1.22m difference in tripod position renders foreground furniture 40 per cent larger against the back wall, which is what makes a room read as cavernous or honest.
A lived in living room carries 35 to 45 loose objects and takes 50 minutes to strip, clean and style before the first frame. Placement takes a third of the time removal takes, and a styled surface ends with three objects at heights of 8cm, 22cm and 34cm rather than four.
Pitching a camera 4 degrees off level narrows the top of a 2.6m wall by 4.4 per cent, and correcting that pitch in software takes a 24.0 megapixel file down to 19.5 megapixels. Levelling the tripod to within 0.2 degrees costs 30 seconds and removes the correction entirely.
Flat cloud narrows an interior from a 5 stop range to a 2 stop range, measured wall to sill. A Bristol room under settled grey meters EV 5 to EV 8 at ISO 100, which is 4 seconds to 1/2 second at f/11, and three frames at 2 EV spacing cover nine rooms in ten.
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